Trending price is based on prices over last 90 days. Effectively suppress reflections that can cause flare and ghosting with Sonys Nano AR Coating technology. The zoom range and stabilization for a native E-mount lens, literally can't be beat. In terms of looks theSony is a lot cooler (more neutral) than the Canon and appears to have a tadmore contrast. Literally. My initial tests show it to be extremely sharp and interestingly the f4 maximum iris still allows short depth of field to put backgrounds slightly out of focus for interviews with only a few feet between the subject and the background. Stay current with regular CineD updates about news, reviews, how-tos and more. Great lens for weddings and events where you want a super slow and smooth zoom. Sony Smooth Motion Optics ensure minimal focus breathing, quiet operation, and other qualities that are essential for movies. The Sony FE 28-135mm lens offers optical steadyshot image stabilisation, a nine-blade rounded diaphragm and a 40-95cm minimum focussing distance. A great fit for an a7S II, but if you consider the crop multiplier when shooting on a smaller sensor, the 28-135mm focal length becomes far less usable. Comica Vimo C Review Wireless Microphone System With Noise Reduction. size / dimensions: 28X135. On Sony cameras that support an external zoom rocker the lens zoom can be controlled remotely. This is due undoubtedly to the super 35, 11.6 mp full frame sensor in the camera, so the combination works great. The latest Sony A7 series cameras have a micro-USB port called a Multi/Micro USB Terminal, that is used for battery charging and also for transferring files, though since its only USB2 its fairly slow in this latter role. Add to cart 128GB - SF-E Series UHS-II SDXC - Memory Card . . This past week, Sony shook things. Luminous-Landscape is a membership site. Despite being labeled by Sony as a 'Cine Lens', the 16-35mm T3.1 is more of a hybrid blend between a stills and a cine lens. The build quality of the Sony 28-135mm can be felt immediately when the lens is taken out of the box. When comparing colour fringing between the two lenses (at 28mm F/4.0)we see that both lenses perform quite wellwide open. Unit is not needed. Copyright 1995-2023 eBay Inc. All Rights Reserved. This top-quality powered zoom lens for 35mm full-frame format cameras has been created to satisfy professional moviemaking requirements, including the high resolution . A compact, lightweight design that is also dust and moisture resistant is ideal for situations that require mobility plus reliability. Full Frame / Optical Steadyshot / Filter 95mm / E-Mount. The data provided and the newsletter opening statistics will be stored on a personal data basis until you unsubscribe. Noise while adjusting iris or focus can be an unwanted distraction on your movie soundtrack. Both are at the same level in term of Color rendition , AF for static . Now, I have writtenthat Sony does not make a stand-alone video remote controller. Learn more about Sony and the Environment, This product is also known as SELP28135G.SYX. UU. Sony is not responsible for typographical and photographic errors. 1/80s,F10. @ 28mm Sony is sharper. The measured Lateral Chromatic Aberration on the whole image goes up to about 0.1 pixels on the image edges for the Sony 28-135mm @28mm and F/4.0 while it goes up to about 0.35 pixels on the Canon 24-105mm @28mm and F/4.0. This is the corollary towhat is wanted when a lens isparfocal. Three control rings offer manual control for demanding . Lens has only been used a handful of times We've detected that JavaScript is not enabled in your browser. Like new in new condition. IQ; a7rII; PZ 28-135; By liveware, December 27, 2015 in Sony Alpha Full Frame Lenses. We have an Imatest test chart for resolutions up to 6K here in our office and we comparedsome of the optical quality factors of the lenses. The focus, aperture, and zoom rings are smooth, the autofocus, aperture, and power zoom function properly, the power zoom tab is smooth, and the glass is clean and clear with no haze, marks, or fungus. Western Union), cashier checks, money orders, shipping. Inheriting technology from Sony professional equipment, this lens boasts a precision optical design that supports 4K as well as upcoming high-resolution formats with minimum breathing and image shift. Details see Privacy Policy. While the servo zoom is beneficial it wont let you do crash zooms. With stills shooting a small change in magnification when changing focal length can easily be adjusted by moving the camera slightly, or even zooming a tad. Inheriting technology from Sony professional equipment, this lens boasts a precision optical design that supports 4K as well as upcoming high-resolution formats with minimum breathing and image shift. Specially shaped aspherical elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Michael Reichmann is the founder of the Luminous Landscape. The latter has 1/3ev stops ranging from f/4 to f/22 and can be switched between smooth and notched rotation, or . The zoom ring rotation direction can be switched in-camera. When I use a zoom I need one that will give the kind of precise and steady speed I struggle to get with a DSLR zoom, because theyre not designed for that and this one is Both the power zoom and the focusing on this lens are next to silent. Inheriting technology from Sony professional equipment, this lens boasts a precision optical design that supports 4K as well as upcoming high-resolution formats with minimum breathing and image shift. RED V-RAPTOR 8K VV Lab Test: Rolling Shutter, Dynamic Range and Latitude plus Video! (17 ) . Facts why this lens is interesting for many? fe pz 28-135mm f4 g oss. Opening statistics stored until you unsubscribe. Not the camera, but the lens becomes the centre of attention as its much more heavy than the camera itself. Sony must have learned from the 28-135mm, because the 18-110 hits just about every need in one lens. Itcomes with many very useful(if not essential) features for professional shooters and brings broadcast lens functionality into the full frame world at a compact size. Want regular CineD updates about news, reviews, how-tos and more?Sign up to our newsletter and we will give you just that. Has full-time manual focus. fe pz 28-135mm f4 g oss. The iris ring canbe set to step increments, or smooth iris (de-clicked). The SELP28135G features an optical design and control technology inherited from Sonys professional camcorders that ensure no breathing. . But in film production it is common to change the point of focus during a shot so as to draw attention to or away from someone or something. FE PZ 28-135mm F4 G OSS Full-frame Telephoto Power Zoom Lens with Optical SteadyShot / mo . Applying manual lens correction in post we can also get a more straight image from the Canon, but this is usually not an option in video, definitely not when varying focal lengths areinvolved.On the Sony at 70mm there is 1 pixel distortion on a horizontal line at the upper edgeof the image. Be the first to review this product. Unit is not needed. Sony FE 4 / PZ 28-135mm G OSS lens . fe pz 28-135mm f4 g oss. Take a minute and share this story with your friends. Even the pitch of the scalloping on the rings has been painstakingly designed for comfortable, slip-free control. Of course no Canon lens with a Metabones adapter will make use of this functionality.The benefits ofin-camera lens compensation will reflect positively on the Sony lens in this test. Sony CEA-G160T 160GB CFexpress Type A Memory Card (CEAG160T) (As this is the maximum resolution / quality mostpeoplewill use)We compared the Sony 28-135mm to the Canon 24-105mm, as the latter is still THEgo-to lens for full frame videographers who want to cover a wide zoom range. Sony FE PZ 28-135mm f/4 G OSS Lens. Until Sony wakes and smells the coffee the solution is to go on E-Bay and find someone that sells 95mm snap-on lens caps. You can unsubscribe at any time via an unsubscribe link included in every newsletter. Also, with the supplied square shade attached the lens size is sometimes too large to fit in a designated space in a cut-foam case or soft pouch. Aside from these minor design flaws the lens offers really a lot of essential benefits that any full frame documentary style shooter will enjoy. On the Canon theres littledifference between chromatic aberration on F/4 or F/8 for example and its all hardly noticeable shooting 4K at F/4. You pay: Quantity. . The SELP28135G features the worlds first SSM (Super Sonic Wave Motor) drive in a lens designed for moviemaking to achieve quiet zoom and extra-smooth iris control. End of support notification for products using the Windows . Sony FE PZ 28-135mm f/4 G OSS Image quality Sony FE PZ 28-135mm f/4 G OSS Image quality. The A7RII looks to become a top-tier choice for not just stills photographers, with its 42 Megapixel sensor, 5 Axis Image stabilization and on-sensor phase detection autofocus, but also for video shooters and film makers. There are two solutions. Overview; Specifications; Features . Optical stabilization works great even when on a tripod which is where this lens belongs. Tele Converters. Sony FE PZ 28-135mm f/4 G OSS Lens. Includes: Front, Rear Lens Caps. Construction: 14 elements in 10 groups with three Sony XA (extreme aspherical) elements. On the Sony A7S I must admit this makes a huge impact. G: Sonys top ranked lens line (after their Sony / Zeiss series). Thats whythe Sony A7S will automatically make any Sony lens look better even when in video mode. Is It Any Good? Three control rings offer manual control for demanding large format production, and the first SSM drive in a lens designed for movies contributes . The camera doesn't recognize the lens or accessory and displays an error message, DO NOT SELL OR SHARE MY PERSONAL INFORMATION. Really! The focus, zoom and aperture control each have large rubberized knurled rings. Cinematographers, much more so. . As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower color quality, and lower resolution. Sonys sophisticated servo control of zoom and focus enables both a close focus capability and a constant F-stop throughout the zoom range, producing images remarkably free of chromatic aberrations the main reason cheap lenses look cheap The reflection suppression characteristic of the Nano AR Coating is superior to conventional anti-reflective coatings, providing a notable improvement in clarity, contrast and overall image quality.
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